Links Collection from Lorna Mill's Class on Dynamic Web Content for Artists (Pt. 4)

Originally Posted Sept-Nov '08: http://www.digitalmediatree.com/sallymckay/lessons/

Class 15

Daniel Barrow's Emoticons. http://www.danielbarrow.com/index.swf.htm

Jimpunk
Triptych.tv

Some links from their blog courtesy of Tom Moody:
http://triptych.tv/2008/07/on-summer.html
http://triptych.tv/2008/07/docwrt-2.html
http://triptych.tv/2008/07/off-spring.html
http://triptych.tv/2008/06/paintn6.html
http://triptych.tv/2008/06/blog-post_09.html
http://triptych.tv/2008/06/pink-flamingo.html
http://triptych.tv/2008/06/re.html
http://triptych.tv/2008/06/blog-post_08.html
http://triptych.tv/2008/06/crystalbeasttopaztigersunflowermov.html

Class 16

YouTube Art:
http://iheartphotograph.blogspot.com/2008/10/video-youtube.html

Nice Use of Video/Quicktime:
http://www.julienlevesque.net/loop.html

Misc. Links:

JM Boling:
http://jmboling.blogspot.com/2006/10/whatgivesgif.html
http://jmboling.blogspot.com/2006/06/pause.html
http://jmboling.blogspot.com/2006/06/used-to-think.html
http://jmboling.blogspot.com/2007/01/woe-this-weight.html

http://www.sittes.net/beautiful/ from http://www.sittes.net/menu/

Nice tumblr Collection:
http://psflannery.tumblr.com/

Some Flash:
http://www.stickfigureninja.com/display.php?galtype=3&page=1&picID=1
http://www.stringtheories.org/harp.swf

Class 17

Dragan Espenschied:
http://www.igac.org/container/midnight/

Class 18

Petra Cortright on Vimeo:
SSSSSSSSSSSSWWWWRRRRRLLLLLL
666 Smielyz
cats spirt spsit spit

Nice (uses of video and/or animation):
http://www.paetau.com/picturepeople/
http://www.turbulence.org/Works/sms/sms9/index.html
http://iamchriscollins.com/albers.html
http://charlesbroskoski.com/usehypnosis/

Using Video:
http://dvblogh4ck.blogspot.com/,
http://www.artonline.jp/personals/jakriborg.html,
http://moresoon.org/projects/introducing.swf,
http://lal-blog.blogspot.com/2008/10/thats-terrible-still-to-come-on-this.html,
http://www.marisaolson.com/projects.html
http://www.youtube.com/watch?v=1mC4hgxJiuI

Great Examples of Quick Time:
http://www.damonzucconi.com/index.php/Work/ColorsPrecedingPhotographs1
http://www.damonzucconi.com/index.php/Work/ColorsPrecedingPhotographs2

http://www.mteww.com/five_small_videos/

On Using Video Online:
http://ca.youtube.com/t/yt_handbook_produce
http://www.pcmag.com/article2/0,2817,2330990,00.asp

Class 19

Joe McKay's Foundations of American Cyber-Culture at UC Berkeley (ALH84001,0)

http://www.20q.net/

http://www.sketchswap.com/

http://www.trippytext.com/

Class 20

http://www.as-found.net/
http://www.moresoon.org/blog/moresoon.html

http://www.potatoland.org/ (click words > Grass)

http://www.leegte.org/ (click Internet Overexposed)

http://www.base-apex.com/

http://www.justinkemp.com/bluesteel.html
http://www.justinkemp.com/sixpack.html
http://www.justinkemp.com/hardtimez.html

http://castlemorbius.com/

http://trackingtransience.net/

Collection: http://ifoundyourphoto.blogspot.com/

GET TO WORK
(intended for the class, but applicable to everybody)

Class 21

On Fair Use and Copyright:
http://www.artfagcity.com/2008/11/10/afc-receives-cease-and-desist-from-the-estate-of-helmut-newton/
http://www.chillingeffects.org/

Tom Moody's Optidisk on the WWW:
http://artmovingprojects.blogspot.com/2008/05/tom-moodys-optidisc-online-installation.html

Michael Geist (for current Canadian copyright laws)

The ecstasy of influence: A plagiarism by Jonathan Lethem

Artists and writers—and our advocates, our guilds and agents—too often subscribe to implicit claims of originality that do injury to these truths. And we too often, as hucksters and bean counters in the tiny enterprises of our selves, act to spite the gift portion of our privileged roles. People live differently who treat a portion of their wealth as a gift. If we devalue and obscure the gift-economy function of our art practices, we turn our works into nothing more than advertisements for themselves. We may console ourselves that our lust for subsidiary rights in virtual perpetuity is some heroic counter to rapacious corporate interests. But the truth is that with artists pulling on one side and corporations pulling on the other, the loser is the collective public imagination from which we were nourished in the first place, and whose existence as the ultimate repository of our offerings makes the work worth doing in the first place.

Class 22

Copyleft (via Schwarz)

Early Net Art:
early net art
http://potatoland.com/landfill/
http://www.easylife.org/netart/catalogue.html

Brilliant use of 3D graphic glitches:
http://maxpaynecheatsonly.jodi.org/index.html
http://wwwwwwwww.jodi.org/

http://www.tgad.com/tgad2001/gb/gb-index.html

http://dura.cell.free.fr/home/swf/arms12.swf

http://tex-server.org/

http://jonrafman.com/

http://www.blownupblowup.com/

Puppycam!!

Class 23

more links:
http://abigaillloyd.blogspot.com/
http://www.losamigosdelaimagen.com.ar/index.html
http://www.achievershvac.com/ac-unit.swf
http://www.c3.hu/collection/form/
http://www.songsofthehumpbackwhale.com/projects/areyousureyourenotacomputer.html
http://www.once-upon-a-forest.com/
http://www.songsofthehumpbackwhale.com/lines_on_a_page.html
http://www.onequestioninterview.com/search/label/OLIVER%20LARIC

Class 24 (last class)

http://www.radiohead.com/worms.php

http://www.trackybirthday.com/

http://jpegmess.org/

From http://jeffbaij.com/index.html:
http://jeffbaij.com/work/airshow.html
http://jeffbaij.com/work/animalmixup.html
http://jeffbaij.com/work/asyncingmachine.html
http://jeffbaij.com/work/ascendant.html
http://jeffbaij.com/work/backgroundgifsforegroundgifs.html
http://jeffbaij.com/work/navigation/nightmare.html

http://folksomy.net/jukebox/computerlove/index.html, http://folksomy.net/jukebox/console/index.html

http://allrgb.com/

http://www.jacksonpollock.org/

http://wonderrooms.jesswheelock.com/index.html

http://www.as-found.net/exhibitions/every-image-on-scientology-dot-org/

http://joseph-moore.com/pathologies/

http://www.lastbreathinalaska.com/

http://www.12glowingmen.com/

http://mouchette.org/ (Sally McKay's comments on Mouchette)